While I was in California, I took a photo of a goldfinch. The composition of the photo really inspired me. Even though the photo is bit blurry, I could still see the details of the bird and use it to draw the pattern for my applique. There’s still a long way to go with this piece.
When I look at basic fabric applique, it always looks so 2-dimensional. I like what I’ve created, but see that I’m missing definition and shading. Once the fabric composition is complete, I’ll pull out my colored pencils to add shading. Then I’ll add some stitching to create definition, texture and secure the pieces to the background fabric. Many layers of technique will be used for this new composition.
I love the fact that this piece is inspired by something I actually witnessed and was able to capture with my own camera. Usually my compositions come from a mental image I have and I use photos for general reference (e.g., shape of a tree or flower). In this piece, I used Photoshop Elements to manipulate the photo to get things placed exactly as I wanted. I will be using the new image as a direct reference for my composition and to create the pattern pieces for applique.
It’s great to have an array of tools and techniques available when creating art quilts. I call this my “toolbox.” Whenever I’m creating new art, I can pull from many different techniques to create a desired affect. It took many years of exploring for me to acquire all these resources. If you’re just starting to work in fabric art, don’t get overwhelmed by it all. Learn as you can and practice. You’ll gravitate towards things that you feel confident doing and discard things that you dislike. All these skills will be available as part of your toolbox.