Category: Fiber Art

Count my blessings

Sometimes life is like a pile of scraps. A heap of bits and pieces. Tiny shards of bigger projects or dreams.

My studio is a mess. We’re taking time this month to do some much needed renovations around the house. Although my life feels a bit chaotic right now, I keep the vision that things will be better when we move past this.

My studio space (a spare bedroom) is a mess. Everything is getting packed up in boxes and moved out. I’ve delivered 2 carloads of stuff to the local Restore and there will be more visits to come. I’m not a minimalist, but when you don’t move in 14 years, stuff starts piling up.  I think it’s a genetic trait because my siblings are collectors too.

Most of what I keep are treasures to me. The bits and bobs may be packed away in a box…but when I find them, I’m flooded with happy memories. Some things find there way out of my life via trips to the donation centers. Then other things, the box gets shut and put away until our next encounter.

Not to be forgotten in all of this is my art/textile supplies! These items are treasures at a much different level. If you’re reading this maybe you can relate to this type of — shall we say — “curating.” Patterns, books, yarn, fabric, paints, markers, rulers, threads and scissors!! I may not use some of these items for a few years, but when I need them I’m happy to know I don’t have to go shopping. For example, the “I’m over it” fabric became useful making masks this year. And… all the wool I’ve collected found itself resurrected as a felting class! My former years as an avid cross stitcher paid off when I discovered slow stitching and mindful mending. I have plenty of floss to keep me busy.

As I reflect on all that I have, I’m reminded, as always,  to count my blessings.

 


 

What brings you joy

The past couple weeks I have been working on a commission art quilt. I’m re-making my “Goldfinch in My Garden” quilt from the Sacred Threads Backyard Escape exhibit. It’s not going to be exactly the same, but very similar. This new version will be part of a permanent collection at INOVA Schar Cancer Institute – Fair Oaks in Fairfax, VA.

It’s kind of fun re-visiting something I made before. The best part is I KNOW how it’s suppose to go together. Usually when I make something new, the entire process is play it by ear. I envision how something will work, but I’m not that sure that it will. This time around the construction was much easier.

The size of this quilt is different. I knew I was going to make the same goldfinch, but it needed to be larger. The new quilt is square versus the rectangular version I made last time.  The process of making the applique bird is the same. I documented it on a new YouTube video that you can watch here. I’m having fun making these videos, so expect to see more soon.

I’m also working with the Global Quilt Connection (GQC) again. So many of us want to take classes and with this pandemic our opportunities are limited. So GQC is partnering with teachers who offer online classes for individual enrollment. After I finish this commission piece, I will be back to work on building new classes. My plan for early next year is to offer some live Zoom classes you can sign up for where we can create together. GQC is offering teachers, like me, the opportunity to show what we offer in classes. There are some great teachers lined up to present. So if you’re craving some new ideas on things to do from home be sure to check out the presentations at http://globalquiltconnection.com/studentmainpage.html. I will be presenting on November 17th.

I hope you are staying inspired and finding time for your creative passions. Above all things…find time for what brings you joy!

 

We travel through life

I’ve been busy the last week working the final touches of my new online class “Paint with Thread.” I will be opening enrollment in the next couple days. So, if you want to be the first to know … make sure you’re subscribed to my NewZ-letter.

Thread painting is one of my favorite things to do. It’s actually one of the things that got me started doing mixed-media textile art. I’ve always loved working with textiles and started making traditional quilts in the 2001. I was quickly hooked and started devouring it. I was making log cabin and nine-patch blocks like crazy! I got so inspired with quilting that I got a job technical editing quilting books.

The first book I edited was Joyce Becker’s “Beautifully Embellished Landscapes.” Editing that book opened my eyes to something besides sewing squares and strips together. I was really amazed with her techniques and chuckled at how she used dryer lint … a brilliant way to create snowy mountain tops!

After many years of being exposed to textile artists like Joyce, Susan Brubaker-Knapp, and Jane Davila, I caught the mixed media bug. And soon, I tried my hand at thread painting and liked it!!

In 2010, I decided to use the technique to create a portrait of my recently deceased dog, Storm. His portrait eventually made its way to fame by becoming Mr. September for Quilting Arts 2012 calendar [sadly this was the last year QA published the calendar]. Up until then, I had only played around with mixed-media textiles. I’m pretty sure “The Perfect Storm” was my first art quilt. Isn’t it kind of crazy how we travel through life?

 

 

 

Lyric Kinard and Sue Bleiweis are hosting the free Global Quilt Connection. If you’re looking to hire virtual teachers for classes or lectures, this is the place to start. This live event will introduce you to 90 instructors, shared through 3 meet-the-teacher virtual presentations. Learn more at Global Quilt Connection. You can see me Wednesday, September 2, 2020 from 4-6pm EST.

Look forward to

Week 9-thousand fifty-seven and I’m getting ready for the winter holidays. What?

I feel like I’m in a time-warp. I’ve been self-employed for a couple decades now. However, there is something different and strange about our current situation. I am really losing track of time. I can’t believe I’m writing another blog post today. Didn’t I just write one 2-days ago? Sure, I know its been longer than 2-days, but geesh, this time-warp feeling is messing with my brain.

What’s also adding to my confusion this past week is that I’ve been intently doing computer work. There’s nothing like staring at a computer screen for hours on end. Your eyes start crossing and your brain loses all sense of time. Although, I may be struggling to remember what day it is, I am super excited about my progress.

After months (or has it been years?) of planning, I’m thrilled to share that my very first online class will be available very soon. I’m in the final stages of editing. Each step of the development has been a huge learning curve for me. During the process I decided to demonstrate something simple. Many of you probably have made fabric postcards, but I know some haven’t. I use more than just fabric to create my designs, so I call my process Fabric Collage Postcards. Don’t mind the winter-theme of my class project, it’s never too early to start making greeting cards for the holidays. And besides, the process is the same no matter what theme you choose.

So, this week I’m giving you a teaser. And, I hope it gives you something to look forward to.

 

 

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Knows she is loved

It’s spring in the Carolinas! The weather here has been very cooperative. Comfortably cool days mixed with sunshine and just enough rain. Trees are green and the flower colors are intense.

I’ve been doing a lot of computer work lately, it’s so nice to have the windows open and hear nature outside while I’m working. It’s important during these times to get some fresh air and take in the natural beauty around us. I find when I spend too many days, as my mom would say, “cooped up” I start losing momentum. Are you finding time for creativity and fresh air?

Speaking of mom, there’s another sign of spring…  In a little more than a week it will be Mother’s Day (Sunday, May 10, 2020). Maybe you have time to make something for your special lady. If not, I want to suggest that now is a great time to support artists, art businesses, local businesses. Here are some gift-giving ideas for you:

Buy Gift Certificates:
Across the country most small arts and craft businesses are closed. Many have online shops and a good majority sell gift certificates. Purchasing a gift certificate helps the independent business stay afloat and offers your gift recipient something to look forward to when things open back up. Maybe use the certificate to take a class together. Not only will you help the shop, but you’ll also help the instructor, learn a new skill, and create a special memory with your special lady.

One of my favorite local shops is ARTworks Vass. If you live in NC, it’s a fun place to visit to buy art and take classes.

Purchase Direct:
Maybe you can’t visit your mom because she lives far away or is stuck at home. Check to see if her favorite artist or local art/craft shop who sells online. There are many places to look for art and supplies. If mom is a creative, you could surprise her with new supplies from a local craft shop. Or visit her favorite artist’s website to see if they sell online. Places like Etsy and Red Bubble are great places to find art or supplies while supporting small businesses. This week I even added a few new things to my Etsy Store – NanetteSewz . Check it out, there might be something appropriate for your lovely mum (if you purchase from me, I’ll even include a hand-made gift card).

It’s time like these where we all can use a little lift in our spirits. Artist or small business they truly appreciate your support right now because their livelihood is affected by the pandemic shut down. But even more so, imagine the joy you’ll give your mom when she opens your gift and knows she is loved.

Stay calm and create

We’re in some really weird times, aren’t we? As things get cancelled around me, I’ve been craving more creative time. If you’re like me, you find peace working on your projects. It’s important we stay calm right now. If creating things provides you with comfort, than you should be finding time for it in your life.

You don’t have to take on a big project. All you need are a few quick minutes in your day to reap the benefits. Here are some simple ideas to consider:

  • Find a little hand stitching, knitting, crochet, or simple sewing project to work on. Choose something that’s easy to grab and work on when you just have a few minutes.
  • Put out some paper or a sketchbook and use it for doodling.
  • Remember all those adult coloring books you collected over the past couple years (ok…well…maybe that was just me)? Pull one out and set it on table with some colored markers or pencils nearby. When you have a minute, start filling in an image. Mindless coloring is very meditative process.
  • When you’re looking for projects, select ones that don’t require “perfection” or “precision.” Your projects should be relaxing you, not adding more stress. Create without worrying about what “it” looks like. In the end, if you don’t like it, you can always cut it up into confetti-size pieces and toss it up in the air with glee.
  • When you’re working on a project, turn off the TV and put on some of your favorite music, or, better yet, work in silence. It will do your brain good.
  • If weather (and air quality) permits, find a place to create outdoors. Fresh air is reported to increase serotonin levels, so creating outside comes with an added bonus to feeling better.

We’ll get through this, just don’t forget to take time for you. Stay calm and create!

 

Wave “hi” when you see me!

Back in early April I spent a couple days in Cleveland to film 4 segments of Quilting Arts TV. I’ve never been filmed for TV… well unless you count that one time I was interviewed before an art exhibit and was super nervous or that other time I was on Bozo’s Circus. Filming QATV was a completely new and exciting adventure.

Before we filmed, I took a couple months to prep the materials so that everything I demonstrated made sense and put in hours of practicing/rehearsing at home so I could feel confident when I spoke. Before I knew it I was in Cleveland on this world-wind trip to film 4 different segments for 4 different episodes.

I’ve been asked how long did it take to film? Each segment of the show runs about 12 minutes and it took just about that much time to film. Unless, something unusual happened, the segment was filmed in one-take. None of this “CUT! Let’s do that again!” coming from the director.  If there was a need to stop, we re-Prepping Cheesecloth samplesgrouped and started back where we left off. Now you know that what you see is what we did pretty-much in real time. So the actual filming of all 4 segments only took about 1/2 a day on stage. [note: If you ever meet me in person, feel free to ask me about the 1-time we stopped filming and the other time I really flubbed, but we kept filming.]

April seems so long ago and I’ve been anxiously waiting to see the new season. I’m in the first episode (2401) and I’ve heard from people around the country who’ve already seen it. This week it is finally being aired on PBS UNC-TV Chapel Hill, NC channel 4. If you get UNC-TV Chapel Hill, the season opener will be tomorrow: Thursday, August 15, 2019 at 4pm. If you don’t get UNC-TV Chapel Hill, you’ll have to check your channel guide. All PBS stations independently carry and broadcast the show, so times will vary across the country.

During episode 2401 you’ll see how I create and use painted cheesecloth in my naturescape art quilts. You’ll also see me on episode 2408 and 2412. The 4th segment I filmed will air next season. If you watch any of them, don’t forget to wave “hi” when you see me!

_______________________________________

See me on Quilting Arts TV Season 2400 (episodes 2401, 2408 & 2412).
Check your local PBS station for dates and times —
or program your DVR —
or purchase the series as a digital download

 

The “Sól” in you

This month I’m working on class prep. Creating new art is, sadly, low on my priority list. But, this gives me an opportunity to reminisce a little. It’s always good to look back every once in awhile so you can appreciate how far you’ve come.

I made this sunflower quilt, “Sól” about 7 years ago. When I see it, I feel like it was just last year. Time moves quickly.

The piece was made as a challenge. Photographs were collected from the local photo club and local artists selected one to re-create using their own inspiration. By design, “Sól” turned out very similar to the photo. The biggest exception is that I used textiles to create my 3-dimensional image.

This was a fun piece to create. The sepals (green parts) were fuzzy on the photo and I wanted to recreate a similar effect. I decided to use green felted wool and added some fuzzy white roving (wool) using needle felting. The petals of the sunflower where stitched on fabric, cut out and then sprayed with a fabric stiffener product. I let them dry so they would stay wrinkly (and a bit stiff) when I sewed them to the background.

I am still very happy with this final rendition. This piece is now in the private collection of a friend. He saw it during the show and had to have it. I’m honored to have participated in this challenge and to know the piece is cherished in my friend’s home. Some of my best art has been created by challenges like this. Have you ever participated in an art challenge? They can bring out the “Sól” in you!


See my artwork:
Sacred Threads
July 11-28, 2019
Artist Experience weekend: July 18-22, 2019
Floris United Methodist Church
13600 Frying Pan Road
Herndon, VA 20171
www.sacredthreadsquilts.com

Doesn’t hurt to try

Boro stitching

Do you ever wonder what’s the point in trying?

Recently I had a conversation with someone who mentioned that she was exploring so many things that it felt like she had an attention deficit disorder. I wondered if there is anything really wrong with being attracted to new ideas and creative outlets. Do you have to stick with just one? What if you try something and you don’t like it? Is it a failure if you don’t want to continue with a project?

From a young age, I was exposed to all sorts of creative outlets. I loved the diversity of it all. Crochet, needlepoint and counted cross-stitch were big things in my life when I was a child. Loved them all! Then forget all that when I found knitting in my 20’s….my passion! Then in my 40’s, there was quilting…the traditional (piecing fabric blocks) kind. Oh boy! I was hooked…until I wasn’t. Seriously, I really hated it and ran away from it all. I was too much of a perfectionist. Those matchy-matchy seams drove me Cr@Zy!

So, then I moved on to mixed-media and started exploring polymer clay, stamp carving, surface design, paper mache, collage, needle felting, weaving, et.al. Was I going insane? No. Eventually all this creative play brought me to where I am today. I have things I started and will never finish. I frequently donate my unloved supplies to school art supply drives or charity-based thrift shops.

But hey…I’m still trying new things…I always will! Why? because I love the thrill of trying! And as an art quilter, every so often those old skills come in handy. I love having this overflowing toolbox of resources!

Currently I’m exploring boro stitching, which is a Japanese method of hand-stitching used to mend fabrics. I’ve always hated my hand stitching, but I’m allowing myself to embrace my imperfection. It’s such a meditative process to mindlessly run stitches through cloth. The finished results are so intriguing.

In trying new things, you’re figuring out what works for you (sometimes it will and sometimes it won’t). It’s OK, if you decide you don’t like to do something, then just let it go. If you hate it, toss it in the trash and donate the supplies to a friend or charity. Just remember, it doesn’t hurt to try.

Where this leads

I recently became aware of on a newly formed organization called The Society For Embroidered Work (S.E.W.). “The aim of S.E.W is to promote and support artists who have an element of stitching in their artworks, hand or machine and traditional or contemporary forms of embroidery.” This organization is focused on raising the perception of stitched art away from being viewed merely as a craft. If you look at the work of their members, you’ll see the why this mission is so important. While grandmother’s embroidered hankies and table runners were beautiful and crafted with great skill, the innovative use of thread in today’s art world is at a much different level … take a look: societyforembroideredwork.com

Last week they made a call for new artist members. Since my work entails a great deal of free-motion machine embroidery, I took the opportunity to submit some examples of my work, along with an artist statement, and waited to hear their juror’s selections. Knowing the caliber of artists in their association, I was overflowing with humble pride to receive their confirmation email this week.

This is a new organization which holds great promise. By carrying member status, it is another way to encourage traditional craft techniques to be accepted into the fine art category. I’m proud to be part of this distinguished group and look forward to seeing where this leads.